Vadivelu dialogue images eppadiella yozipanga

It is not fair that I use cinema to express my feelings and policies' - these were the words uttered by megastar Rajinikanth once. From appraisal meetings in ChennaiвЂ™s IT corridors to serious political dissent, VadiveluвЂ™s comedy is for situations when words fail the Tamil people.вЂњCinema is my profession. He has a portfolio so vast that thereвЂ™s a meme-worthy scene for every situation. The already cinema-happy Tamil people find in Vadivelu the power of mockery and satire as a way to explain life. His вЂњVada poche! (Alas! The vada is gone!)вЂќ was once used to explain Hilary ClintonвЂ™s electoral loss. His вЂњVenaam, valikkudhu, azhudhuduven (No, it hurts, IвЂ™m about to cry)вЂќ has been the balm for many cornered souls. Various kinds of Vadivelu laughter have been cathartic for those who celebrated Tamilisai Soundararajan and H Raja of the BJP losing in the recent Lok Sabha elections, for instance. Vadivelu saying вЂњAhaan?вЂќ and вЂњIs it?вЂќ are now part of legitimate language to respond sarcastically to fake news or false claims. His exaggerated facial expressions and loaded body language lent themselves incredibly to вЂњmemeвЂќ culture, which needed captivating visuals to tell its story. VadiveluвЂ™s distinct ability to embody the hypocrisies of the common man, find comedy in real-life situations - even if tragicomic - and create believable characters, has made him a somewhat fortuitous theorist of modern Tamil society. The several alleged resurrections failed to bring his career back up. After an ill-fated tryst in politics, VadiveluвЂ™s career petered out by the 2011 election, in which he campaigned for the DMK, which lost, leaving the ruling AIADMK adequately angered. For much of his 25 years as a comedian, his work was rejected by serious critics as slapstick and crude. Casteist slurs, blatant misogyny, rape jokes - and rape as joke - are sprinkled all over his oeuvre. So much so that at one stage, when Ekambaram chides the beggar, вЂњHavenвЂ™t I asked you not to beg where IвЂ™m claiming my bribe?вЂќ, he retorts: вЂњHavenвЂ™t I told you not to claim your bribes where I come to beg?вЂќД«ut Vadivelu had his share of problems. What follows is a hilarious takedown of the police. The shopkeeper treats them both equally, flicking coins at their faces, which Ekambaram fails to catch. At one point, he walks up to the market and threatens a vegetable vendor for a bribe. Take Maruthamalai (2007), for instance, where he plays Encounter Ekambaram, a police head constable. He does it from within, playing characters seemingly similar to the heroes, yet, having his facade crumble spectacularly, exposing our hypocrisies and vulnerabilities. Vadivelu mocks all of these, not from a distance, the way his contemporary Vivek did, which appeared holier-than-thou. In his essay about Vadivelu, he writes that the comedian plays an important role as the antithesis of the Tamil hero, who is often the symbol of valour, honour, pride, patriarchy, caste supremacy etc. It is this nature of his work that makes him remarkable in the film culture of our times, argues Stalin Rajangam, a film scholar and Dalit intellectual. But he knows and we know that he is a вЂњdummy pieceвЂќ (a Vadivelu-ism for something that looks substantial but is actually ineffective). As Snake Babu, Bullet Pandi, or Kaippulla, Vadivelu plays the bombastically pretentious Everyman, who will go to any length to pose as the omnipotent, strong, valorous, undefeated leader. What Vadivelu does is what Tamilians call вЂњgetthu kaatradhuвЂќ, the closest English translation might be вЂњdisproportionate build-upвЂќ, which falls apart to great comic effect.ДЄ typical Vadivelu character is that of an unemployed villager, or a tactless businessman, or a perpetual college student, or even a disrespected cop. Calling his humour slapstick and self-deprecating wouldnвЂ™t quite explain its true greatness. His comedy is made up of delightfully exaggerated facial expressions, intonation, and an embellished sense of self.

In retrospect, that might just be said of him, too.

вЂњOnly you possible,вЂќ he tells Velan (Kamal Hassan, the filmвЂ™s hero), about something thatвЂ™s seemingly impossible. His small build, dark complexion, unruly hair, and broken English added up to his humour. Even though his career began a few years earlier, his claim to fame came in the 1992 film Singaravelan, where he played a nondescript role, being third or fourth-fiddle to the significantly bigger comedian Goundamani. Vadivelu dominated Tamil film comedy in the 1990s and 2000s.

Vadivelu dialogue images eppadiella yozipanga